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This blog brings together our latest updates, announcements and behind-the-scenes moments.
You’ll find the same posts we share on Instagram and Facebook, collected here in one place.

Covered wire fram

Using a millinery wire frame as the base for a headpiece allows for precise shaping while creating a lightweight yet stable structure that can be covered in a wide range of materials. In the workroom technique in the February 2026 issue (no. 108) of The Hat Magazine, Dutch milliner Marianne Jongkind explains step by step how to construct a wire frame and how to cover it with crin braid, keeping the base as light and translucent as possible. Read the full article in the February 2026 issue (no. 108).

More veiling

Veiling is more than just a beautiful trim – it has a rich history woven into its fibres. In the February 2026 issue (no. 108) of The Hat Magazine, alongside the practical tips and techniques article on working with veiling, you will also find an introduction to how veiling is made. The article explores how its fibres and structures have evolved over time, and how its role in fashion has shifted – from an everyday accessory to an occasional and couture trim. Read the full article in the February 2026 issue (no. 108).

Veiling

Veiling looks particularly striking on small perched hats, adding mystery, elegance and style. In the February 2026 issue (no. 108) of The Hat Magazine, Denise Innes Spencer explains the different lengths of veiling you can use and which hat styles they suit best. She shares practical tips for both wedding-style veiling and everyday hat veiling, and shows how the positioning of the gathers affects the final shape of the veil. A clear and useful guide for anyone working with veiling. Read the full article in the February 2026 issue (no. 108).

February 2026 Issue

Issue 108 (February 2026) of The Hat Magazine is out! In this issue: Interview with Misa Harada, Made in Japan, A journey through hat museums, Veiling facts, Workroom technique 'Covered wire frame' by Marianne Jongkind, and more!
Not yet a subscriber? Order a copy of this issue on the  back issues page or become an online subscriber.
Hat on cover by Ding Yan from CHICMAX.

Read online

As a print subscriber, you probably already know that your subscription includes access to the online version of The Hat Magazine. But did you know that reading your issues online offers more than just convenience? You can zoom in on the finest details, make notes, bookmark pages, and search across issues — perfect for revisiting articles, techniques, and interviews whenever you need them.
Images from Denise Innes-Spencer's tips & techniques articles in issues 100, 101, 102, 103, 104 and 107. Not a subscriber? Order a copy of these issues on the back issues page.

The Perfect Hat?

In her  November 2025 column ‘The Perfect Hat?’, Clair Hughes reflects on a deceptively simple question, sparked by a piece in the Financial Times. The answer, it turns out, has less to do with silk toppers or perfect proportions, and everything with meaning, context, and what dress historian Anne Hollander called ‘the accustomed frame of how things look’.
As male hats slipped out of everyday business life in the 1960’s and 1970’s, caps quietly stepped in – adaptable, practical, and socially negotiable. From baseball caps to flat caps, bakerboys and shepherd styles, caps have proved remarkably resilient, able to move between work, leisure, and class with ease.
That adaptability is something we see clearly on the trade show floor. At events such as Pitti Uomo and Who’s Next, caps have been a strong favourite in hat brands’ collections for several years now – not as a trend, but as a modern solution to an old problem.

French block maker

A professional in the art of shaping a wooden block as well as crafting a finished hat, Sébastien Tessier (France) is recognised for his mastery of exceptional skills and techniques. With this dual expertise, he has long enjoyed supporting hat designers in the implementation of their projects. Looking back, one could say that the beginning of his career was triggered by a series of coincidences before he became the passionate hatter and block maker he is today. Read the full story in the November 2025 issue (no. 107).

Who's Next, Paris

This weekend we visited Who’s Next in Paris. There, we reconnected with several brands with a long history in hat manufacturing that were exhibiting at the show for the first time. One of them was City Sport from Belgium – a true cap specialist with more than a century of experience, having celebrated its 125th anniversary in 2023 (see Issue 96, February 2023).
For more information about the trends for A/W 26/27, don’t miss our trends report in the May 2026 issue of The Hat Magazine.

Pitti Uomo, Florence

Yesterday, we met with London-based hat maker Lock & Co Hatters at trade show Pitti Uomo in Florence, Italy. Founded in 1676, Lock & Co Hatters will mark its 350th anniversary this year, making it the world’s oldest hat shop still in operation.
For more information about the trends for A/W 26/27, don’t miss our trends report in the May 2026 issue of The Hat Magazine.

Polish block maker

Founded in 1945, Kacprzak Hat Blocks is now in its third generation, combining hand turning, foundry knowledge and digital tools in a small Polish workshop. Today, Julian Kacprzak works alongside his father and brother, producing blocks entirely by hand while using technology to speed up processes and keep blocks affordable. The company’s 80th anniversary in 2025 was marked not by nostalgia, but by momentum, including its first in-person sales abroad at Barcelona Hat Days. Read more about Kacprzak Hat Blocks in the November 2025 issue (no. 107).
In the photos, three generations of Kacprzak: grandfather, father, Julian and his brother

Blocking company

Luton’s hat-making heritage is entering a new chapter. In the November 2025 issue, we explore the story behind the Luton Hat Company – a venture led by Nick Horn, whose family has been part of the town’s industry for nearly 300 years. Building on the legacy of Baxter Hart & Abraham, the new company brings together restored historic machinery, over 400 aluminium blocks and decades of specialist knowledge to support today’s makers. From offering blocking services to developing accredited training and apprenticeships, the project aims to safeguard skills that are fast disappearing. Read the full article in the November 2025 issue (no. 107).
Last photo: One of the blocking machines operating at its previous location, the W. Wright factory.

Stiffening solutions

Stiffening solutions can be applied in several concentrations. The amount of dilution varies according to both the type of stiffener and the fabric or straw being treated. Some stiffeners can alter the appearance of the surface once dry, leaving a slight sheen – or causing darker tones, particularly on pale colours. For this reason, it is advisable to test the solution on a small sample of the material before treating the whole piece.
For an overview of the most commonly used stiffeners and their applications, take a look at the posterside of the 2026 calendar that comes with the November 2025 issue of the magazine (no. 107).

Around the block

Unlock new possibilities in your workroom with the ‘Around the block’ article in our November 2025 issue. Hat blocks are the foundation of hat making, but when the exact shape isn’t to hand, creativity takes over. This feature highlights the resourcefulness of makers around the world who adapt, improvise and innovate to achieve the perfect made-to-measure block, using techniques that range from vintage sparterie to contemporary workroom solutions.

4 DECEMBER 2025

Daily Objects sketches

Who says inspiration can’t be found in the everyday? Move over Surrealists - Sophie Beale’s ‘Daily Objects’ sketches in the November 2025 issue prove that creativity often starts right in your kitchen or in your living room! Check out how the familiar is transformed into fresh millinery ideas that feel both clever and beautifully considered in the The Hat Magazine no. 107.